A Companion to Greek Literature by Hose, Martin; Schenker, David J

By Hose, Martin; Schenker, David J

A significant other to Greek Literature provides a entire advent to the wide variety of texts and literary types produced within the Greek language over the process a millennium starting from the sixth century BCE as much as the early years of the Byzantine Empire.

  • Features contributions from a variety of validated specialists and rising students of Greek literature
  • Offers accomplished assurance of the various genres and literary varieties produced by means of the traditional Greeks—including epic and lyric poetry, oratory, historiography, biography, philosophy, the radical, and technical literature
  • Includes readings that deal with the construction and transmission of old Greek texts, old reception, person authors, and masses more
  • Explores the topic of historical Greek literature in cutting edge ways

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VI comment. 2), pp. 5; 118; 207. Dorandi 2007, 66–70. 51 Cavallo 2005, 129–49; Dorandi 2007, 65–81. 52 Gold 1987; Grafton and Williams 2006, 46–85. 53 Cf. Schenker, this volume ch. 20, pp. 315–6; Hose ch. 21, pp. 331–4. 54 Guarducci 1929; Bouvier 1985; Cameron 1995, 47–53. 16 24 Lucio Del Corso Kolde 2003. Suppl. Hell. 5–6 Austin and Bastianini 2002. 57 Fournet 1999. 58 Lib. , pp. 8–11 Kühn XIX = 135–6 Boudon‐Millot 2007. g. Diod. Sic. , praef. , 1, praef. 7. , Plot. 3. html; for inscriptions, the rules of Supplementum epigraphicum Graecum are employed.

Del Corso, L. 2010. “Il romanzo greco a Ossirinco e i suoi lettori. ” In G. Bastianini and A. , I papiri del romanzo antico, Florence, 247–77. Donner, H. and W. Röllig. 1966–69. Kanaanäische und Aramäische Inschriften, 2nd edn. Wiesbaden. Dorandi, T. 1991. “Den Autoren über die Schulter geschaut. ” Zeitschrift für Papyrologie und Epigraphik 87: 11–33. Dorandi, T. 2007. Nell’officina dei classici. Come lavoravano gli autori antichi. Rome. Dover, K. J. 1968. Lysias and the Corpus Lysiacum. Berkeley, CA.

The stoic Epictetus never wrote a single line of his meditations; what we have from him is a selection of lessons collected and transcribed from notes by his disciple Arrian, who also assembled the Enchiridion, a collection of sentiments much appreciated by Romantic poets. 60 The variety of available evidence suggests that the production of a literary text in ancient Greece was a dynamic process, influenced by the contexts of literary communication, the purposes of the message, and the variety of the recipients.

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